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・ Jin Shuren
・ Jin Soon-jin
・ Jin State
・ Jin Sun-kuk
・ Jin Sun-yu
・ Jin Suo Chi tea
・ Jin Tae-hyun
・ Jin Taiyan
・ Jin Taraqayah
・ Jin Tianhe
・ Jin Tielin
・ Jin Tingbiao
・ Jin Urayama
・ Jin Wan Plaza 1
・ Jin Won-sim
Jin Xiang
・ Jin Xiaomei
・ Jin Xing
・ Jin Xuan
・ Jin Xuan tea
・ Jin Yamanoi
・ Jin Yan
・ Jin Yang
・ Jin Yangyang
・ Jin Yaqin
・ Jin Ye
・ Jin Yi
・ Jin Yi-han
・ Jin Yilian
・ Jin Yinhuan


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Jin Xiang : ウィキペディア英語版
Jin Xiang
Jin Xiang (金湘 b.1935) is a Chinese composer and conductor. He studied composition at the China Central Conservatory under Chen Peixun.〔Barbara Mittler ''-Dangerous tunes: the politics of Chinese music in Hong Kong'' 1997 Page 163 "Jin Xiang studied composition at the Central Conservatory under Chen Peixun (Chan ... His opera Yuanye (The Savage Land) of 1987, depicts a dark and brutal atmosphere, a Chinese verismo that is ..."〕 In 1959 he received his Bachelor of Arts in Composition.〔(Edna Ehrlich Papers ); AR 25639; Box 16; Folder 29; Leo Baeck Institute〕 Soon after, he was labelled a rightist and sent to work in Tibet leading a folk music local ensemble, and then on to Ürümqi in Xinjiang for twenty years doing farm labor. After the Cultural Revolution he returned to Beijing and was conductor and composer in residence of the Beijing Symphony Orchestra from 1979–1984.〔Edward L. Davis - ''Encyclopedia of Contemporary Chinese Culture'' Page 420 2012 "He was branded a 'rightist' and sent to work in Tibet, where he led a local ensemble, and then on to Urumqi in Xinjiang where ... He was conductor and composer-in-residence at the Beijing Symphony Orchestra (1979–84) and at the same time ... Jin Xiang's style is characterized by a particular sensibility for musical colouring. His opera ''The Savage Land'' (Yuanye, 1987) features a Chinese-style verismo, reminiscent of Russian opera but at the same time permuted by distinctly Chinese ..."〕 Jin Xiang came to the United States in 1988 and was a visiting scholar at The Juillard School in 1998 and the University of Washington and the composer-in-residence at the Washington National Opera.〔(Edna Ehrlich Papers ); AR 25639; Box 16; Folder 29; Leo Baeck Institute〕 From 1994-1995 he was the Art Director of the China Performing Administration Centre of the Minsitry of Culture.〔(Edna Ehrlich Papers ); AR 25639; Box 16; Folder 29; Leo Baeck Institute〕 In 1996, he founded and was the president of the East-West Music Exchange Association, a non-profit that promoted the exchange of eastern and western music.〔(Edna Ehrlich Papers ); AR 25639; Box 15; Folder 22; Leo Baeck Institute
==Works==


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